From Bogotá to the World: The Influence of Karime Younes Betancourt on Contemporary Art

 

Interview with the painter Karime Younes Betancourt

 

In this article, we will explore the work of Karime Younes Betancourt, an outstanding Colombian visual artist, and her participation in the 1st Micro-Art Biennial 2024 "Contemporary Visions," to be held in Colombia and Brazil.

 Karime Younes Betancourt is a Colombian painter born in Bogotá in 1983, known for her abstract expressionist style and her spiritual approach to art. She studied visual arts at the Pontificia Universidad Javeriana and the Guerrero Art Academy, where she developed a distinctive technique influenced by renowned masters. In addition to her artistic career, Younes has explored new technologies on digital platforms and has been recognized for her humanitarian and educational work through art therapy, participating in projects for peace and the environment. Her work has been exhibited and recognized in various countries, and her commitment to art goes beyond aesthetics, using her works for emotional healing and spiritual connection.

 

Her work and career have inspired us, so we have asked her for an interview to learn more about her work and participation in the 1st Micro-Art Biennial 2024 "Contemporary Visions." To start:

 

What does it mean for you to participate in the 1st Micro-Art Biennial 2024 "Contemporary Visions"?

- Participating in the 1st Micro-Art Biennial 2024 "Contemporary Visions" is an honor and an incredible opportunity for me. This event not only allows me to showcase my work to a broader audience but also gives me the chance to connect with other artists and expand my perspective on contemporary art in an innovative and challenging format.

 

Could you share a little about the work you will present at the biennial? What is the main message you wish to convey with it?

- The piece I will present is titled "Magnetismus." It is a mixed media painting using natural pigments that are environmentally friendly on recycled metal. Through a vibrant use of colors and textures, I try to convey a message about the reuse of alternative materials (metals, plastics, wood, among others) in contemporary decoration as alternative supports to be used artistically, giving them a second chance and highlighting their importance and impact on our society and the environment.

 

How do you think the "micro-art" format influences the creation and presentation of your works?

- The micro-art format represents an interesting challenge because it forces artists to condense their message and style into a smaller space. For me, this has meant deep reflection on how I can communicate more directly and effectively, focusing on the essential details of each piece.

 

Your work has been recognized for its strong connection to social and humanitarian themes. How do you integrate these themes into your art?

- I integrate these themes into my art by exploring narratives that reflect the struggles and hopes of diverse communities. I use art as a means to express my commitment to social justice and to raise awareness about important issues such as inequality and human rights. Each piece I create is inspired by real stories and experiences that seek to generate empathy and reflection in the viewer.

 

How do you consider your participation in a biennial held in Colombia and Brazil can enrich the artistic dialogue between the two countries?

- I believe my participation in this biennial can serve as a cultural bridge between Colombia and Brazil. Both countries have a rich artistic tradition, and sharing a space like this allows for the exchange of ideas, techniques, and perspectives. I hope that my work and that of my colleagues will help strengthen the artistic dialogue and build new collaborations in the region.

 

How do you see the role of the artist in today's society, especially in the Latin American context?

- I am convinced that we as artists have a fundamental role as observers, critics, and narrators of our reality. I believe that artists are responsible for reflecting the complexity of our societies, questioning power structures, and inspiring not only reflection but also positive "action" from the viewer through our creativity. Art is a powerful tool for communication and social transformation.

 

What is your opinion on the current state of contemporary art in Colombia, and how do you think events like this biennial can impact its development?

- Contemporary art in Colombia is in a vibrant and dynamic moment. There are many emerging and established artists experimenting with new forms and themes. Events like this biennial are vital for showcasing Colombian talent and fostering an environment of constructive criticism and artistic growth. I hope that the biennial encourages more artists to challenge themselves and share their unique messages.

 

What challenges have you faced as a visual artist in Colombia, and how have you overcome them?

- As a visual artist in Colombia, one of the biggest challenges has been the lack of access to resources and platforms to showcase my work. However, I have learned to be resilient and creative in seeking opportunities in alternative spaces. I have also engaged with artistic communities and used social media and networking to promote my work. Additionally, I have sought to participate in group exhibitions, workshops, and competitions that have allowed me to grow, meet new colleagues, and develop professionally.

 

What advice would you give to young artists starting their careers and wishing to participate in international events like the Micro-Art Biennial?

- My advice for those starting their artistic journey is to stay true to their vision and artistic voice. Don't be afraid to experiment and make mistakes, as they are part of the learning process. It is also important to move from thinking to action, be persistent, and constantly seek new opportunities to showcase your work, whether through local exhibitions, competitions, or digital platforms.

 

What are your future projects, and how do you plan to continue developing your artistic career after the biennial?

- After the biennial, I plan to continue exploring new themes and techniques in my art. I am working on a series of works that address the relationship between humans and nature and how this connection is fundamental to our well-being. I am also interested in collaborating with other artists and developing community projects like "Portapaz," which uses art and recycling as tools for education, social transformation, and improving our polluted environment.